Weekly national charts, as the trade papers printed them
Queen’s “Somebody To Love” is missing from the chart file, and from Billboard’s chart history, for 13 of its 15 weeks; the file leaves its rank empty, and the archive puts it there, at 26 this week, its LAST WEEK and weeks on chart following its run.
| This week | Last week | 2 wks ago | Wks. on chart | Title Artist Label | Peak |
|---|---|---|---|---|---|
| 1 | 1 | 1 | 11 |
★★ NO. 1 ★★
|
1 |
| 2 | 2 | 5 | 14 | 2 | |
| 3 | 3 | 3 | 13 | 3 | |
| 4 | 4 | 4 | 12 | 4 | |
| 5 | 6 | 14 | 14 | 5 | |
| 6 | 12 | 16 | 8 | 6 | |
| 7 | 8 | 9 | 13 | 7 | |
| 8 | 9 | 10 | 16 | 8 | |
| 9 | 10 | 12 | 17 | 9 | |
| 10 | 11 | 13 | 10 | 10 | |
| 11 | 15 | 19 | 5 | 11 | |
| 12 | 7 | 8 | 15 | 7 | |
| 13 | 20 | 22 | 8 | 13 | |
| 14 | 16 | 18 | 18 | 14 | |
| 15 | 5 | 2 | 16 | 2 | |
| 16 | 18 | 20 | 10 | 16 | |
| 17 | 19 | 21 | 11 | 17 | |
| 18 | 24 | 30 | 8 | 18 | |
| 19 | 22 | 27 | 10 | 19 | |
| 20 | 21 | 24 | 11 | 20 | |
| 21 | 26 | 28 | 8 | 21 | |
| 22 | 42 | 52 | 8 | 22 | |
| 23 | 13 | 6 | 18 | 1 | |
| 24 | 27 | 29 | 9 | 24 | |
| 25 | 14 | 7 | 13 | 7 | |
| 26 | 35 | 45 | 3 | 26 | |
| 27 | 17 | 17 | 16 | 17 | |
| 28 | 28 | 32 | 13 | 28 | |
| 29 | 40 | — | 2 | 29 | |
| 30 | 37 | 47 | 3 | 30 | |
| 31 | 34 | 38 | 10 | 31 | |
| 32 | 36 | 42 | 9 | 32 | |
| 33 | 25 | 15 | 13 | 10 | |
| 34 | 43 | 48 | 4 | 34 | |
| 35 | 44 | 54 | 5 | 35 | |
| 36 | 41 | 46 | 7 | 36 | |
| 37 | 29 | 25 | 18 | 1 | |
| 38 | 53 | 63 | 4 | 38 | |
| 39 | 45 | 55 | 6 | 39 | |
| 40 | 50 | 60 | 6 | 40 | |
| 41 | 49 | 59 | 5 | 41 | |
| 42 | 30 | 23 | 15 | 13 | |
| 43 | 46 | 50 | 7 | 43 | |
| 44 | 54 | 61 | 8 | 44 | |
| 45 | 55 | 65 | 4 | 45 | |
| 46 | 48 | 49 | 7 | 46 | |
| 47 | 47 | 57 | 8 | 47 | |
| 48 | 52 | 62 | 5 | 48 | |
| 49 | 59 | 69 | 4 | 49 | |
| 50 | 60 | 72 | 4 | 50 |
| This week | Last week | 2 wks ago | Wks. on chart | Title Artist Label | Peak |
|---|---|---|---|---|---|
| 51 | 61 | 71 | 3 | 51 | |
| 52 | 66 | 76 | 4 | 52 | |
| 53 | 57 | 67 | 5 | 53 | |
| 54 | 65 | 75 | 3 | 54 | |
| 55 | 56 | 58 | 13 | 55 | |
| 56 | 67 | 77 | 3 | 56 | |
| 57 | 58 | 56 | 6 | 56 | |
| 58 | 68 | 78 | 3 | 58 | |
| 59 | 72 | 83 | 4 | 59 | |
| 60 | 63 | 74 | 4 | 60 | |
| 61 | 64 | 66 | 8 | 61 | |
| 62 | 62 | 64 | 7 | 62 | |
| 63 | 32 | 31 | 22 | 9 | |
| 64 | 74 | 85 | 3 | 64 | |
| 65 | 33 | 33 | 15 | 12 | |
| 66 | 78 | — | 2 | 66 | |
| 67 | 69 | 79 | 8 | 67 | |
| 68 | 83 | — | 14 | 19 | |
| 69 | 80 | 90 | 3 | 69 | |
| 70 | 81 | — | 2 | 70 | |
| 71 | 82 | — | 2 | 71 | |
| 72 | NEW▶ | 1 |
★★★ HOT SHOT DEBUT ★★★
Evergreen (LOVE THEME FROM "A STAR IS BORN")BARBRA STREISAND
|
72 | |
| 73 | 77 | 81 | 7 | 73 | |
| 74 | 84 | — | 2 | 74 | |
| 75 | 85 | 87 | 4 | 75 | |
| 76 | 23 | 11 | 18 | 1 | |
| 77 | NEW▶ | 1 | 77 | ||
| 78 | 88 | 88 | 6 | 78 | |
| 79 | 89 | — | 2 | 79 | |
| 80 | 90 | — | 2 | 80 | |
| 81 | 31 | 26 | 20 | 12 | |
| 82 | 87 | 89 | 6 | 82 | |
| 83 | 73 | 35 | 13 | 30 | |
| 84 | 86 | 86 | 5 | 84 | |
| 85 | NEW▶ | 1 | 85 | ||
| 86 | NEW▶ | 1 | 86 | ||
| 87 | NEW▶ | 1 | 87 | ||
| 88 | NEW▶ | 1 | 88 | ||
| 89 | 93 | — | 2 | 89 | |
| 90 | NEW▶ | 1 | 90 | ||
| 91 | 92 | 92 | 6 | 91 | |
| 92 | 94 | 99 | 3 | 92 | |
| 93 | 39 | 37 | 16 | 27 | |
| 94 | 98 | — | 2 | 94 | |
| 95 | 51 | 53 | 6 | 51 | |
| 96 | NEW▶ | 1 | 96 | ||
| 97 | NEW▶ | 1 | 97 | ||
| 98 | NEW▶ | 1 | 98 | ||
| 99 | 100 | — | 2 | 99 | |
| 100 | NEW▶ | 1 | 100 | ||
Bullets and Hot Shot Debuts before 1980 are inferred from the chart's movement, not read off the page: a bullet for a record that is new, back, up on last week, or at last week's rank for the second week running; the Hot Shot Debut is the week's highest new entry. The first Hot 100, 8/4/1958, has none.