Weekly national charts, as the trade papers printed them
The chart file lacks a record this week, put back here from Billboard’s chart history: “Foxy Lady” (Crown Heights Affair) at 39. The file’s own ranks stand, because the next week’s LAST WEEK column bears them out, so a record put back goes into the rank the file leaves empty.
| This week | Last week | 2 wks ago | Wks. on chart | Title Artist Label | Peak |
|---|---|---|---|---|---|
| 1 | 2 | 7 | 10 |
★★ NO. 1 ★★
|
1 |
| 2 | 9 | 10 | 13 | 2 | |
| 3 | 8 | 9 | 11 | 3 | |
| 4 | 5 | 5 | 11 | 4 | |
| 5 | 6 | 6 | 18 | 5 | |
| 6 | 1 | 1 | 14 | 1 | |
| 7 | 3 | 3 | 17 | 3 | |
| 8 | 10 | 11 | 13 | 8 | |
| 9 | 4 | 4 | 24 | 4 | |
| 10 | 12 | 18 | 5 | 10 | |
| 11 | 11 | 12 | 11 | 11 | |
| 12 | 13 | 26 | 11 | 12 | |
| 13 | 14 | 16 | 13 | 13 | |
| 14 | 15 | 17 | 10 | 14 | |
| 15 | 16 | 19 | 6 | 15 | |
| 16 | 17 | 20 | 9 | 16 | |
| 17 | 19 | 24 | 4 | 17 | |
| 18 | 20 | 22 | 13 |
Get CloserSEALS & CROFTS featuring CAROLYN WILLIS
|
18 |
| 19 | 7 | 2 | 18 | 2 | |
| 20 | 21 | 23 | 8 | 20 | |
| 21 | 18 | 8 | 15 | 1 | |
| 22 | 26 | 30 | 14 | 22 | |
| 23 | 24 | 25 | 9 | 23 | |
| 24 | 27 | 29 | 9 | 24 | |
| 25 | 25 | 28 | 10 | 25 | |
| 26 | 30 | 33 | 10 | 26 | |
| 27 | 28 | 31 | 10 | 27 | |
| 28 | 31 | 34 | 5 | 28 | |
| 29 | 38 | 41 | 5 | 29 | |
| 30 | 37 | 40 | 7 | 30 | |
| 31 | 36 | 39 | 7 | 31 | |
| 32 | 32 | 35 | 8 | 32 | |
| 33 | 33 | 36 | 6 | 33 | |
| 34 | 35 | 38 | 6 | 34 | |
| 35 | 43 | 53 | 5 | 35 | |
| 36 | 40 | 43 | 7 | 36 | |
| 37 | 42 | 46 | 6 | 37 | |
| 38 | 39 | 45 | 7 | 38 | |
| 39 | 63 | 66 | 8 | 39 | |
| 40 | 50 | 60 | 5 | 40 | |
| 41 | 41 | 55 | 5 | 41 | |
| 42 | 46 | 50 | 6 | 42 | |
| 43 | 59 | — | 2 | 43 | |
| 44 | 54 | 65 | 5 | 44 | |
| 45 | 55 | 75 | 3 | 45 | |
| 46 | 66 | — | 2 | 46 | |
| 47 | 48 | 51 | 6 | 47 | |
| 48 | 56 | 77 | 3 | 48 | |
| 49 | 23 | 13 | 13 | 13 | |
| 50 | 60 | 70 | 7 | 50 |
| This week | Last week | 2 wks ago | Wks. on chart | Title Artist Label | Peak |
|---|---|---|---|---|---|
| 51 | 67 | — | 2 | 51 | |
| 52 | 52 | 62 | 5 | 52 | |
| 53 | 53 | 63 | 3 | 53 | |
| 54 | 57 | 67 | 3 | 54 | |
| 55 | 22 | 15 | 12 | 15 | |
| 56 | 58 | 68 | 4 | 56 | |
| 57 | 45 | 48 | 6 | 45 | |
| 58 | 62 | 73 | 4 | 58 | |
| 59 | 44 | 56 | 6 | 44 | |
| 60 | 29 | 27 | 14 | 27 | |
| 61 | 71 | 81 | 3 | 61 | |
| 62 | 73 | — | 2 | 62 | |
| 63 | 74 | — | 2 | 63 | |
| 64 | 34 | 14 | 15 | 14 | |
| 65 | 75 | 85 | 4 | 65 | |
| 66 | 68 | 78 | 4 | 66 | |
| 67 | 69 | 79 | 3 | 67 | |
| 68 | 79 | 89 | 3 | 68 | |
| 69 | 80 | — | 2 | 69 | |
| 70 | 82 | — | 2 | 70 | |
| 71 | 72 | 74 | 5 | 71 | |
| 72 | 49 | 54 | 14 | 49 | |
| 73 | 83 | — | 2 | 73 | |
| 74 | 78 | 86 | 4 | 74 | |
| 75 | 77 | 80 | 7 |
The Lonely OneSPECIAL DELIVERY featuring TERRY HUFF
|
75 |
| 76 | 70 | 71 | 13 | 35 | |
| 77 | 87 | — | 2 | 77 | |
| 78 | 89 | 92 | 4 | 78 | |
| 79 | NEW▶ | 1 |
★★★ HOT SHOT DEBUT ★★★
|
79 | |
| 80 | NEW▶ | 1 | 80 | ||
| 81 | 85 | 87 | 4 | 81 | |
| 82 | 86 | — | 2 | 82 | |
| 83 | 93 | — | 2 | 83 | |
| 84 | NEW▶ | 1 | 84 | ||
| 85 | NEW▶ | 1 | 85 | ||
| 86 | 88 | 90 | 3 | 86 | |
| 87 | NEW▶ | 1 | 87 | ||
| 88 | NEW▶ | 1 | 88 | ||
| 89 | NEW▶ | 1 | 89 | ||
| 90 | 90 | — | 2 | 90 | |
| 91 | 91 | 91 | 8 | 91 | |
| 92 | 92 | 93 | 3 | 92 | |
| 93 | 76 | 76 | 7 | 76 | |
| 94 | 94 | — | 2 | 94 | |
| 95 | 95 | 97 | 4 | 95 | |
| 96 | 47 | 47 | 7 | 47 | |
| 97 | 64 | 64 | 10 | 46 | |
| 98 | 100 | — | 2 | 98 | |
| 99 | 61 | 61 | 7 | 61 | |
| 100 | 51 | 21 | 20 | 6 | |
Bullets and Hot Shot Debuts before 1980 are inferred from the chart's movement, not read off the page: a bullet for a record that is new, back, up on last week, or at last week's rank for the second week running; the Hot Shot Debut is the week's highest new entry. The first Hot 100, 8/4/1958, has none.