Weekly national charts, as the trade papers printed them
| This week | Last week | 2 wks ago | Wks. on chart | Title Artist Label | Peak |
|---|---|---|---|---|---|
| 1 | 1 | 7 | 7 |
★★ NO. 1 ★★
|
1 |
| 2 | 2 | 1 | 10 | 1 | |
| 3 | 3 | 4 | 9 | 3 | |
| 4 | 6 | 10 | 6 | 4 | |
| 5 | 15 | 33 | 5 | 5 | |
| 6 | 28 | 47 | 4 | 6 | |
| 7 | 7 | 9 | 11 | 7 | |
| 8 | 8 | 8 | 11 | 8 | |
| 9 | 4 | 2 | 13 | 1 | |
| 10 | 13 | 20 | 9 | 10 | |
| 11 | 12 | 13 | 9 | 11 | |
| 12 | 9 | 6 | 14 |
Woman, WomanTHE UNION GAP featuring GARY PUCKETT
|
4 |
| 13 | 10 | 5 | 12 | 5 | |
| 14 | 14 | 22 | 8 | 14 | |
| 15 | 27 | 36 | 8 | 15 | |
| 16 | 5 | 3 | 11 | 2 | |
| 17 | 37 | 58 | 4 | 17 | |
| 18 | 11 | 11 | 11 | 11 | |
| 19 | 17 | 21 | 10 | 17 | |
| 20 | 48 | 56 | 5 | 20 | |
| 21 | 21 | 34 | 6 | 21 | |
| 22 | 22 | 38 | 6 | 22 | |
| 23 | 23 | 28 | 8 | 23 | |
| 24 | 20 | 14 | 15 |
Different DrumSTONE PONEYS featuring LINDA RONSTADT
|
13 |
| 25 | 25 | 26 | 9 | 25 | |
| 26 | 26 | 32 | 7 | 26 | |
| 27 | 16 | 16 | 15 | 16 | |
| 28 | 18 | 18 | 10 | 18 | |
| 29 | 44 | 60 | 4 | 29 | |
| 30 | 30 | 31 | 7 | 30 | |
| 31 | 38 | 62 | 3 | 31 | |
| 32 | 32 | 46 | 5 | 32 | |
| 33 | 19 | 19 | 9 | 19 | |
| 34 | 35 | 35 | 6 | 34 | |
| 35 | 24 | 27 | 8 | 24 | |
| 36 | 47 | 61 | 5 | 36 | |
| 37 | 46 | 71 | 3 | 37 | |
| 38 | 45 | 55 | 7 | 38 | |
| 39 | 40 | 50 | 5 | 39 | |
| 40 | 68 | — | 2 | 40 | |
| 41 | 41 | 41 | 11 | 41 | |
| 42 | 29 | 30 | 8 | 29 | |
| 43 | 63 | — | 2 | 43 | |
| 44 | 50 | 67 | 4 | 44 | |
| 45 | 53 | 64 | 6 | 45 | |
| 46 | 54 | 63 | 7 | 46 | |
| 47 | 56 | 97 | 3 | 47 | |
| 48 | 58 | 66 | 4 | 48 | |
| 49 | 76 | — | 2 |
Too Much TalkPAUL REVERE & THE RAIDERS featuring MARK LINDSAY
|
49 |
| 50 | 66 | 92 | 3 | 50 |
| This week | Last week | 2 wks ago | Wks. on chart | Title Artist Label | Peak |
|---|---|---|---|---|---|
| 51 | 69 | 84 | 4 | 51 | |
| 52 | 49 | 49 | 7 | 49 | |
| 53 | 98 | — | 2 | 53 | |
| 54 | 51 | 53 | 6 | 51 | |
| 55 | 55 | 54 | 10 | 32 | |
| 56 | 67 | — | 2 | 56 | |
| 57 | 59 | 68 | 5 | 57 | |
| 58 | 72 | — | 2 | 58 | |
| 59 | 99 | — | 2 | 59 | |
| 60 | 89 | — | 2 | 60 | |
| 61 | 61 | 59 | 9 | 59 | |
| 62 | NEW▶ | 1 |
★★★ HOT SHOT DEBUT ★★★
|
62 | |
| 63 | NEW▶ | 1 | 63 | ||
| 64 | 71 | 88 | 3 | 64 | |
| 65 | 70 | 80 | 7 | 65 | |
| 66 | 77 | 83 | 5 | 66 | |
| 67 | 86 | 87 | 3 | 67 | |
| 68 | 90 | — | 2 | 68 | |
| 69 | 73 | — | 2 | 69 | |
| 70 | 80 | 81 | 4 | 70 | |
| 71 | NEW▶ | 1 | 71 | ||
| 72 | 79 | 89 | 6 | 72 | |
| 73 | NEW▶ | 1 | 73 | ||
| 74 | NEW▶ | 1 | 74 | ||
| 75 | 75 | 73 | 6 | 73 | |
| 76 | 81 | 82 | 4 | 76 | |
| 77 | 82 | — | 2 | 77 | |
| 78 | NEW▶ | 1 | 78 | ||
| 79 | NEW▶ | 1 | 79 | ||
| 80 | NEW▶ | 1 | 80 | ||
| 81 | NEW▶ | 1 | 81 | ||
| 82 | NEW▶ | 1 | 82 | ||
| 83 | 84 | — | 2 | 83 | |
| 84 | NEW▶ | 1 | 84 | ||
| 85 | 88 | 94 | 5 | 85 | |
| 86 | 91 | — | 6 | 76 | |
| 87 | 87 | 100 | 3 | 87 | |
| 88 | 94 | — | 2 | 88 | |
| 89 | 93 | — | 2 | 89 | |
| 90 | 92 | — | 2 | 90 | |
| 91 | NEW▶ | 1 | 91 | ||
| 92 | NEW▶ | 1 | 92 | ||
| 93 | NEW▶ | 1 | 93 | ||
| 94 | 95 | 95 | 3 | 94 | |
| 95 | 97 | 98 | 3 | 95 | |
| 96 | 100 | — | 2 | 96 | |
| 97 | NEW▶ | 1 | 97 | ||
| 98 | NEW▶ | 1 | 98 | ||
| 99 | NEW▶ | 1 | 99 | ||
| 100 | NEW▶ | 1 | 100 | ||
Bullets and Hot Shot Debuts before 1980 are inferred from the chart's movement, not read off the page: a bullet for a record that is new, back, up on last week, or at last week's rank for the second week running; the Hot Shot Debut is the week's highest new entry. The first Hot 100, 8/4/1958, has none.