Weekly national charts, as the trade papers printed them
The chart file lacks a record this week, put back here from Billboard’s chart history: “Baby Sittin’ Boogie” (Buzz Clifford) at 35. The file’s own ranks stand, because the next week’s LAST WEEK column bears them out, so a record put back goes into the rank the file leaves empty.
| This week | Last week | 2 wks ago | Wks. on chart | Title Artist Label | Peak |
|---|---|---|---|---|---|
| 1 | 4 | 4 | 11 |
★★ NO. 1 ★★
|
1 |
| 2 | 3 | 5 | 8 | 2 | |
| 3 | 2 | 3 | 12 | 2 | |
| 4 | 1 | 1 | 12 | 1 | |
| 5 | 7 | 12 | 8 | 5 | |
| 6 | 5 | 6 | 8 | 5 | |
| 7 | 8 | 14 | 7 | 7 | |
| 8 | 13 | 26 | 5 | 8 | |
| 9 | 9 | 7 | 10 | 6 | |
| 10 | 6 | 2 | 12 | 1 | |
| 11 | 10 | 9 | 11 | 9 | |
| 12 | 14 | 25 | 14 | 12 | |
| 13 | 12 | 10 | 20 | 4 | |
| 14 | 11 | 8 | 17 | 2 | |
| 15 | 17 | 29 | 4 | 15 | |
| 16 | 16 | 23 | 10 | 16 | |
| 17 | 22 | 24 | 7 | 17 | |
| 18 | 15 | 11 | 15 | 3 | |
| 19 | 18 | 16 | 15 | 5 | |
| 20 | 29 | 38 | 7 | 20 | |
| 21 | 36 | 46 | 5 | 21 | |
| 22 | 34 | 48 | 4 | 22 | |
| 23 | 30 | 35 | 9 | 23 | |
| 24 | 20 | 13 | 14 | 8 | |
| 25 | 32 | 39 | 5 | 25 | |
| 26 | 41 | 42 | 6 | 26 | |
| 27 | 21 | 18 | 14 | 7 | |
| 28 | 19 | 15 | 12 | 15 | |
| 29 | 24 | 21 | 7 | 21 | |
| 30 | 42 | 90 | 3 | 30 | |
| 31 | 49 | — | 2 | 31 | |
| 32 | 27 | 20 | 9 | 18 | |
| 33 | 47 | 54 | 5 | 33 | |
| 34 | 45 | 59 | 5 | 34 | |
| 35 | 55 | 77 | 4 | 35 | |
| 36 | 25 | 31 | 7 | 25 | |
| 37 | 31 | 41 | 11 |
Main Theme From Exodus (ARI'S THEME)MANTOVANI & HIS ORCH.
|
31 |
| 38 | 33 | 27 | 6 | 25 | |
| 39 | 35 | 40 | 9 | 35 | |
| 40 | 50 | 79 | 4 | 40 | |
| 41 | 51 | 60 | 5 | 41 | |
| 42 | 53 | — | 2 | 42 | |
| 43 | NEW▶ | 1 |
★★★ HOT SHOT DEBUT ★★★
|
43 | |
| 44 | 60 | — | 2 | 44 | |
| 45 | 44 | 52 | 7 | 44 | |
| 46 | 67 | 89 | 3 | 46 | |
| 47 | 68 | — | 6 | 47 | |
| 48 | 37 | 17 | 13 | 7 | |
| 49 | 64 | 75 | 3 | 49 | |
| 50 | 56 | 73 | 4 | 50 | |
| This week | Last week | 2 wks ago | Wks. on chart | Title Artist Label | Peak |
|---|---|---|---|---|---|
| 51 | 66 | 72 | 3 | 51 | |
| 52 | 78 | — | 2 | 52 | |
| 53 | 57 | 61 | 6 | 53 | |
| 54 | 61 | 69 | 5 | 54 | |
| 55 | 58 | 67 | 5 | 55 | |
| 56 | 65 | 91 | 4 | 56 | |
| 57 | 62 | 70 | 4 | 57 | |
| 58 | 48 | 43 | 10 | 31 | |
| 59 | 83 | — | 2 | 59 | |
| 60 | 63 | 74 | 5 | 60 | |
| 61 | 59 | 44 | 18 | 1 | |
| 62 | NEW▶ | 1 | 62 | ||
| 63 | 85 | 95 | 3 | 63 | |
| 64 | 73 | 76 | 5 | 64 | |
| 65 | 23 | 19 | 16 | 12 | |
| 66 | 69 | 81 | 8 | 66 | |
| 67 | NEW▶ | 1 | 67 | ||
| 68 | 81 | 84 | 4 | 68 | |
| 69 | 79 | — | 11 | 60 | |
| 70 | 26 | 34 | 8 | 26 | |
| 71 | 74 | 92 | 4 | 71 | |
| 72 | NEW▶ | 1 | 72 | ||
| 73 | 93 | — | 2 | 73 | |
| 74 | 40 | 22 | 10 | 16 | |
| 75 | 39 | 28 | 11 | 28 | |
| 76 | 46 | 30 | 8 | 27 | |
| 77 | NEW▶ | 1 | 77 | ||
| 78 | NEW▶ | 1 | 78 | ||
| 79 | 77 | 83 | 3 | 77 | |
| 80 | 84 | 99 | 3 | 80 | |
| 81 | RE-ENTRY | 5 | 56 | ||
| 82 | 90 | — | 2 | 82 | |
| 83 | 94 | — | 2 | 83 | |
| 84 | RE-ENTRY | 8 | 47 | ||
| 85 | 88 | — | 2 | 85 | |
| 86 | NEW▶ | 1 | 86 | ||
| 87 | 87 | — | 2 | 87 | |
| 88 | 38 | 45 | 7 | 38 | |
| 89 | 86 | 100 | 3 | 86 | |
| 90 | 98 | — | 2 | 90 | |
| 91 | 80 | 85 | 5 | 80 | |
| 92 | 72 | 86 | 4 | 72 | |
| 93 | 92 | — | 2 | 92 | |
| 94 | 28 | 32 | 15 | 14 | |
| 95 | 100 | — | 2 | 95 | |
| 96 | NEW▶ | 1 | 96 | ||
| 97 | 82 | 87 | 3 | 82 | |
| 98 | NEW▶ | 1 | 98 | ||
| 99 | NEW▶ | 1 | 99 | ||
| 100 | NEW▶ | 1 | 100 | ||
Bullets and Hot Shot Debuts before 1980 are inferred from the chart's movement, not read off the page: a bullet for a record that is new, back, up on last week, or at last week's rank for the second week running; the Hot Shot Debut is the week's highest new entry. The first Hot 100, 8/4/1958, has none.